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Group Exchange
GROUP EXCHANGE
2nd Tamworth Textile Triennial

16 August - 18 October 2014

Exhibition Opening
Friday 15 August 2014 6pm

to be opened by
Michael Rolfe
CEO
MUSEUMS & GALLERIES,NSW
SYDNEY

Weekend Symposium
Saturday 16 & Sunday 17 August 2014
A public program of curator and artists talks.

Saturday 10.30am to 4.00pm
Sunday 10.30 am to 12pm
Download Group Exchange Curator & Artist talks Sat 16 August & Sun 17 August 2014
Group Exhange: 2nd Tamworth
Textile Triennial
Group Exchange presents the extraordinary work that has emerged from this enquiry. In questioning what collaboration can mean for their practice artists have engaged in a dynamic creative dialogue and have demonstrated to us how new work and meaning emerges from relationship and exchange.

In this Textile Triennial, collaboration has opened up many and varied interpretations of the theme.

Each artist has provided unique insights through their rich and diverse experience and introduced us to new original ways of viewing practice.

In a unique one off playful experiment in July 2013 all the artists were flown to Tamworth to meet each other at the start of the brief.

The experience has been a highlight for the artists and has contributed to an illuminating Group Exchange.

Image above
Works acquired from
Sensorial Loop
1st
Tamworth Textile Triennial

Belinda von Mengersen
The Dusting Cloth
2011

A dusting cloth is located in a landscape of memory between the past and the present. Cloth is particularly apt at being able to carry an entropic metaphor–to represent fragile remnants...
Cloth can be completely impregnated and ultimately transformed by the ephemeral and insidious qualities of dust, for dust is matter caught between states. Dust signifies the entropy of life and cloth, and the inevitable disintegration of both. The cloths of my childhood are embedded
with the matter and dust of clay, flour, soil, ash, lanolin and salt.

There is an innate, tacit and quite haptic tension between the processes of making, erasure, unmaking
and re-making.

Where methods of print, stitch, pleating, tacking,
camouflage, unpicking and re-stitching evolve and
are re-woven into a palimpsest of compressed
layers. Allowing a consideration of what is told
and untold; remembered and forgotten or entirely
re-written within the folds of the story.

These layers of paper and cloth are bound with
stitch as a visual representation of quilts made
for charity at the turn of the century when the
Dictionary of Needlework recommended the use
of shredded paper for the padding because it ‘is
very insusceptible to atmospheric influences’.
The stitches mimic language, as rows of text and a kind of sound-line; they are breaking down and imperfect acting, like a ‘fermata’ or extended pause within a musical score; leaving a trail of needle-holes in the paper. By opening up the grid
of the cloth you force it to
re-align it-self poetically

Image above
Esther Paleologos
Melbourne, Victoria
Framework, ( detail) 2011
Materials: enamelled copper wire, stainless steel wool yarn
and nylon
Dimensions: Three pieces, two 50 h x 40 w x 40 d cm, one 60h x 50 w x 40 d cm. Tamworth Regional Gallery Fibre Textile Collection. Image Lou Farina.

image below
Belinda von Mengersen
Summer Hill, Sydney, NSW
The Dusting Cloth, 2011
Materials: Silk voile, silk organza, cotton, rice paper, interfacing,
direct digital print, paper, camel hair, alpaca fleece, and silk,
cotton, and linen thread.
Dimensions: 100 h x 150 w x 0.5 d cm. Tamworth Regional Gallery Fibre Textile Collection. Image Lou Farina



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