|
|
COLLECTION STRENGTHS
Tamworth Regional Gallery is home to the Tamworth Fibre Textile Biennial which showcases the best of fibre textile art from across the country every two years. Guest curators devise a theme based exhibition from artists working in the fibre textile medium. Tamworth Regional Gallery has a long held association with fibre textile art dating back to the 1970’s. For more information on the Tamworth Fibre Textile Biennial visit the gallery website at www.tamworthregionalgallery.com.au
Early 20th century Australian and European works are another strength of Tamworth Regional Gallery with two significant bequests establishing the gallery in the early 1900’s.
The John Salvana Collection (1919) contains over one hundred paintings and works on paper. The Burdekin Bequest (1961) is a significant collection of works collected locally by the Burdekin family and includes works by Hans Heysen, Nora Heysen, Will Ashton, Elioth Gruner and Sidney Long.
In 1967 the Lyttleton Taylor family of Tamworth donated the Regan Silver Collection, which contains some of the best known examples of early Australian silver. Significant works by Evan Jones, Christian Ludwig Quist and HS Steiner are included. This collection is on permanent display in the gallery foyer.
The Utopia Collection Bequest
Like many other public galleries in Australia Aboriginal art had no part in the earliest history of the Tamworth Regional Gallery collection. Therefore the Utopia Collection Bequest which was received in 1999 is not only a unique collection of historically and culturally important works from Utopia, but also a significant development for the gallery.
The Utopia Collection Bequest consists of thirteen batik silks, four acrylic paintings on paper, five silk screen prints, six etchings and acquatints, and six wooden carved ceremonial figures.
|
|
|
|
|
|
From the Collection
Nora Heysen AM
Born 1911, Hahndorf, South Australia
Died 2003, Sydney Australia.
Camellias 1930
Oil on canvas
Bequest of Mr. & Mrs. N. W. Burdekin 1961
“Camellias” is an excellent example of Heysen’s exquisite still life flower paintings. The grey curtain background, plain black vase and earth tones of the table are a sombre contrast to the brilliant and lustrous colours of the rich flower forms - each petal meticulously painted - shining with light falling from the right. The camellias are vast contrast to the pattern on the table which is suggested with simple ochre brushstrokes. Although painted when Nora Heysen was only 19 years of age, this work displays her mature technical skill and perhaps the influence of Henri Fantin Latour (French realist painter 1836 – 1904), whom she greatly admired.
Nora was born in Hahndorf, South Australia, daughter of well known artist Sir Hans Heysen and his wife Selma. She was an artist of extraordinary ability, tenacity and possessed fine drawing skills. Nora displayed remarkable talent as a portrait painter, but is best known for her still-life paintings of flowers, which were part of her earliest memories of childhood in Hahndorf.
After several years of study at the School of Fine Arts in Adelaide she traveled to London in 1934 where she studied at the Central School of Art. Heysen returned to Australia in 1937 and decided to live in Sydney. Her early drawings and paintings established her talent as a draughtsman; however, it was not until her meeting in London with post-impressionist painter Lucien Pisarro and subsequent study of the work of Cézanne, that her smooth, classical manner of painting gave way to a freer use of colour and more painterly handling of her materials.
Nora was the first female artist to be awarded the Archibald Prize in 1938 with her portrait of Madame Elink Schuurman.
Her skill as a portraitist also paved the way for her appointment as the first female Australian war artist on 12 October 1943. From April 1944 to December 1944 Captain Nora Heysen was stationed in New Guinea. During three years of service Heysen completed over 170 works of art now in the collection of the Australian War Memorial. In 1993 she was awarded the Australia Council’s Award for Achievement in the Arts and in 1998 the Order of Australia (AM) for her service to Art as a painter of portraits and still life subjects.
Until her death in 2003, the artist lived and worked in her Hunters Hill home 'The Chalet', where she painted and drew with boundless energy and an amazing vitality of colour.
|
|
|
|
|
|
|